Spall
Life from Stone
A Country's Spirit Sculpted in Marble
Photo of Ukraine by Olga Subach on Unsplash
By Emerson Schwartzkopf
Trade shows exist to sell products and services, with every exhibitor assigned a category – but where do you put a booth upholding a nation’s soul? At Marmomac in Verona, Italy, this year, a show booth didn’t sell a particular material or machine or any other solution for stone. The small, single stand offered something else: the spirit of the people of Ukraine. To people in the United States, the concept of Ukraine is evolving into a secondary political battleground of democracy-above-all versus not-our-fight wrangling. For those in Ukraine, it’s a very real battlefield, with bombs and bullets and death; for other Europeans, it’s a struggle that’s creating collateral damage in business and everyday life. Here, Ukraine doesn’t make much of an impression on people. In Europe, it’s much different. Porcelain producers had to find alternatives to the clay mined in areas of the Donbas that now serves as the front line of the Ukrainian-Russian conflict. Skyrocketing energy costs, and a looming shortage of Russian-supplied natural gas cause plenty of worry for those material manufacturers looking to heat kilns and drying ovens – as well as everyone seeking to keep their homes warm this winter. Into this atmosphere came a group of artists presenting “Vitality Ukraine,” with an exhibition filling up one trade-show booth at the outer edges of Marmomac’s exhibit halls. (I would’ve missed it, except for the guidance of Peter Becker, editor at stone-ideas.com. Thanks, Peter) The small exhibit, as noted by the Ukrainian artists, showed viewers “the ability to continue and live and develop whatever may happen around us, just as Ukraine is showing the whole world now.” The stone items, according to the artists are transformed “in a sort of garden of rebirth and life – a vitality to overcome these moments of anxiety.” The items shown below represent those Ukrainian ideals, from the marking of time of the country’s freedom, to rebirth, unity, fertility of land and other symbols.
TEMPO
The sculpture marks time in two ways. It can be used as a standalone sundial; and, the 30 rings of the base's alternating material represent 30 years of Ukraninan indepencence. Artist: Valena Vari..(Photo courtesy llab.design)
PROTOZOI
Symbolizing birth, the larger piece serves as a glass-topped coffee table. The smaller piece features a mirror on the bottom. Artist: Anna Manako. (Photo courtesy llab.design)
SEED
The national flower of Ukraine is represented by a giant seek, with the black outside shell giving way to the white kernel inside. The kernel is sculpted with growing sunflowers, with round flowers and petals telling of the unity of Ukrainian citizens. Artists: Marianna Yeleyko and Rosolana Dudka.(Photo courtesy llab.design)
GRANO
The rising stalks of grain represent Ukraine's rich and fertile lands, the country's treasure and the basis of the concept of "the breadbasket of Europe." Artists: Oleksandr Kysil and Anna Manako.(Photo courtesy llab.design)
VIYALO
Representing the country's windmills and the future in renewable enerby, the disk can be used for a variety of purposes, from wall hangings to decorating a handmade cabinet. Artist: Alina Kravchuk..(Photo courtesy Peter Becker)
IDENTITY
The different areas of he country are represented by circle-shaped stone to represent cohesion, with interwoven threads acting as the ties that bind the country together. Artist: Alice Lysykh. (Photo courtesy llab.design)
In an amazing touch, all of the object were produced using only marble scraps. Kyiv-based stone shop Instech and its llab.design division worked with the artists to produce the work. The exhibition followed a similar presentation at Milan Design Week this year. At Marmomac, the exhibit included works that won a special competition this summer by Marianna Yeleyko and Alisa Lysykh, along with a concept by Oleksandr Kysil that took shape in co-authorship with Anna Manako. The Marmomac presentation also included works by Valeria Vary, Anna Manako and Alina Kravchuk. Not all the items are art for art’s sake alone, either. llab.design also produces "Tempo, "Viyalo" and "Identity" for the interior-decoration market worldwide. Anyone who’s taken more than a passing look at the history of Eastern Europe knows of Ukraine’s extremely complicated past. In the past 800 years, the land – prized for its fertile farming lands, saw the march of the Mongols (1200s), Poland and Lithuania (1500s-1600s), Sweden (1700s), Imperial Russian (1700s), Germany (twice, 1900s) and Soviet Russia (1900s). Ukraine is a major part of Eastern Europe that historians call The Bloodlands, and the area’s occupations and annexations also include the genocidal Holodomor of the 1920s and the Holocaust by Bullets in the 1940s. After all of this, Independence as a sovereign country finally came in 1991, and the deep feelings about Ukrainian identity are clear. The art of Vitality Ukraine is simple and expressive and taps deeply into the national character. The artists also offered a small gift: a palm-sized linen pouch filled with Ukrainian sunflower seeds to spread the ideals and the memory beyond the trade-show floor. My decades of attending trade shows led to the collection of hundreds (if not thousands) of pens, trinkets, brochures and the like. Now, there’s only one on my desk to remind me of something extraordinary: a small bag of sunflower seeds from the other side of the world.◘